{"id":1692,"date":"2018-02-26T06:12:28","date_gmt":"2018-02-26T06:12:28","guid":{"rendered":"https:\/\/rkrause.cl\/web\/?page_id=1692"},"modified":"2019-03-27T12:30:34","modified_gmt":"2019-03-27T15:30:34","slug":"catalogos-libros-proyectos-grupales","status":"publish","type":"page","link":"https:\/\/rkrause.cl\/web\/?page_id=1692","title":{"rendered":"Cat\u00e1logos antol\u00f3gicos"},"content":{"rendered":"<h2>Cat\u00e1logos antol\u00f3gicos (en construcci\u00f3n)<\/h2>\n<h6>2017<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5204 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Otros-sonidos-otros-paisajes_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Otros-sonidos-otros-paisajes_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Otros-sonidos-otros-paisajes_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Otros-sonidos-otros-paisajes_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Leandro Pisano &amp; Antonio Ar\u00e9valo (Eds.): <em>Otros sonidos otros paisajes<\/em>. Roma (Ambasciata del Cile in Italia, Interferenze new arts festival), 2017<br \/>\n56 p\u00e1ginas<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Otros sonidos otros paisajes \u2013 Interferenze New Arts Festival.<\/em>&nbsp;MACRO \u2013 Museo d\u2019Arte Contemporanea Roma, Italia.<\/p>\n<p>extracto Rainer Krause: <em>lenguas locales<\/em>, pp. 48-51<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5201 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Tsonami-10-anos_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Tsonami-10-anos_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Tsonami-10-anos_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Tsonami-10-anos_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Fernando Godoy &amp; Cristian Galarce (Eds.): <\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Tsonami 10 a\u00f1os<\/em><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">. Valpara\u00edso (Tsonami), 2017<\/span><br \/>\nISBN 978-956-393-196-9, 145 p\u00e1ginas, 500 ejemplares<br \/>\nCat\u00e1logo del&nbsp;Festival Internacional de Arte Sonoro&nbsp;<em>Tsonami.<\/em>&nbsp;Centro Cultural Ex-C\u00e1rcel, Valpara\u00edso, Chile, 2016<\/p>\n<p>extracto Rainer Krause, <em>Captcha piece (versi\u00f3n Valapara\u00edso)<\/em>, p. 132<\/p>\n<p>&nbsp;<\/p>\n<h6>&nbsp;<\/h6>\n<hr>\n<h6>2016<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5122 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/16-09_imagen-llamada-palabra_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/16-09_imagen-llamada-palabra_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/16-09_imagen-llamada-palabra_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/16-09_imagen-llamada-palabra_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Camilo Ya\u00f1ez (Ed.): <em>Una imagen llamada palabra.<\/em> Santiago de Chile (Consejo Nacional de la Cultura y las Artes), 2016<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Una imagen llamada palabra.<\/em>&nbsp;Centro Nacional de Artre Contempor\u00e1neo Cerrillos, Santiago de Chile, 2016-17<br \/>\nISBN 978-956-352-168-9, 100 p\u00e1ginas, 10.000 ejemplares<\/p>\n<p>&gt; <a href=\"http:\/\/centronacionaldearte.cl\/wp-content\/uploads\/2016\/09\/catalogo-imagen-llamada-palabra.pdf\" target=\"_blank\" rel=\"noopener\">cat\u00e1logo completo<\/a><br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 1<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2015<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5120 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Voces-indigenas_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Voces-indigenas_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Voces-indigenas_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Voces-indigenas_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Alfons Hug (Ed.): Voces Ind\u00edgenas. Venecia (Istituto Italo-Latino Americano), 2015<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Voces ind\u00edgenas.<\/em>&nbsp;Pabell\u00f3n Italo-Latino Americano. 56\u00aa Bienal de Venecia, Italia, 2015<br \/>\n128 p\u00e1ginas, 1 CD de audio<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-05_Voces-indigenas.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 46-51<\/span><br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/Cristina-caldero?n-en-Yaga?n-140315-002c-mono_baja.mp3\" target=\"_blank\" rel=\"noopener\">track Rainer Krause: Cristina Calder\u00f3n<\/a> en Yag\u00e1n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 2<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5117 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_O-Papagaio-de-Humboldt_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_O-Papagaio-de-Humboldt_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_O-Papagaio-de-Humboldt_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_O-Papagaio-de-Humboldt_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Alfons Hug (Ed.): <em>O Papagaio de Humboldt<\/em>. Rio de Janeiro (Instituto Telemar), 2015<br \/>\nCat\u00e1logo de las exposiciones&nbsp;<em>El Papagayo de Humboldt.<\/em>&nbsp;Oca \u2013 Parque Ibirapuera, S\u00e3o Paulo y Oi Futuro Flamengo, Rio de Janeiro, 2015<br \/>\nISBN 978-85-99735-07-7, 136 p\u00e1ginas, 1 CD<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-00_O-Papagaio-de-Humboldt.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. 90-99<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 2: la entrevista<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5119 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Media-Art-Lab-Mercosul_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Media-Art-Lab-Mercosul_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Media-Art-Lab-Mercosul_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Media-Art-Lab-Mercosul_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>MALM &#8211; Media Art Lab Mercosul.<\/em> Porto Alegre (Goethe-Institut), 2015<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Observation Space.<\/em>&nbsp;Instituto Goethe, Porto Alegre, Brasil, 2015<br \/>\n44 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-05_Media-Art-Lab-Mercosul.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. s\/n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1878\" target=\"_blank\" rel=\"noopener\">Captcha piece [Porto Alegre]<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5121 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-07_CasaPoli-Residencias_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-07_CasaPoli-Residencias_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-07_CasaPoli-Residencias_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-07_CasaPoli-Residencias_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Leslie Fern\u00e1ndez &amp; Oscar Concha (Eds.): <em>Contexto y Territorio. Casapoli Residencias. Ciclo 2014.<\/em> Concepci\u00f3n, 2015<br \/>\nISBN 978-956-358-704-3, 120 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-07_CasaPoli-Residencias.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. 22-31<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1687\" target=\"_blank\" rel=\"noopener\">n<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5118 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Bienal-Venecia_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Bienal-Venecia_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Bienal-Venecia_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-05_Bienal-Venecia_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Fondazione La Biennale di Venezia (Eds.): <em>All the world&#8217;s futures<\/em>. Venecia (Marcilio), 2015<br \/>\nCat\u00e1logo de la <em>56\u00aa Bienal de Venecia<\/em>, Italia, 2015<br \/>\nISBN 978-88-317-2128, 2do volumen, 315 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-05_Bienal-Venecia.pdf\" target=\"_blank\" rel=\"noopener\">extracto proyecto Voces Ind\u00edgenas<\/a>, pp. 076-081<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 2: la entrevista<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5116 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_Block-Magico_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_Block-Magico_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_Block-Magico_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_Block-Magico_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Soledad Garc\u00eda &amp; &nbsp;Brandon LaBelle (Eds.): <em>Block M\u00e1gico. Magic Block<\/em>. Berlin (Errant Bodies), 2015<br \/>\nCat\u00e1logo de las exposiciones&nbsp;<em>Block M\u00e1gico, di\u00e1logos entre la memoria y lo imaginario<\/em>. Museo de la Solidaridad Salvador Allende, Santiago de Chile y&nbsp;<i>Magic Block: Contemporary Art From Chile<\/i>. Stiftelsen, Gallery 3,14, Bergen, Noruega, 2014<br \/>\nISBN 978-0-9889375-3-6, 218 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/15-00_Block-Magico.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. 150-157<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 2: txt\/contxt<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5115 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_arte-contemporaneo_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_arte-contemporaneo_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_arte-contemporaneo_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/15-00_arte-contemporaneo_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Sylvia Ready &amp; B\u00e1rbara Becker: <em>Entender el arte contempor\u00e1neo<\/em>. Santiago de Chile (Contrapunto), 2015<br \/>\nISBN 978-956-257-108-1, 384 p\u00e1ginas<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2014<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5114 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/14-05_Operacion-Verdad_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/14-05_Operacion-Verdad_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/14-05_Operacion-Verdad_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/14-05_Operacion-Verdad_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Ram\u00f3n Castillo &amp; Camilo Ya\u00f1ez (Eds.): <em>Operaci\u00f3n Verdad o la Verdad de la Operaci\u00f3n<\/em>. Santiago de Chile (Universidad Diego Portales), 2014<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Operaci\u00f3n Verdad o la Verdad de la Operaci\u00f3n<\/em>. Museo de la Solidaridad Salvador Allende, Santiago de Chile, 2011<br \/>\nISBN 978-956-314-277-8, 144 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/14-05_Operacion-Verdad.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. s\/n, 136<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1781\" target=\"_blank\" rel=\"noopener\">Kleiner Lauschangriff<\/a><\/span><\/p>\n<hr>\n<h6>2013<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5113 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/13-08_Gracia-Divina_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/13-08_Gracia-Divina_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/13-08_Gracia-Divina_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/13-08_Gracia-Divina_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Andrea Pacheco (Ed.): <em>Gracia Divina. El humor como estrategia art\u00edstica<\/em>. Santiago de Chile (Fundaci\u00f3n Gasco), 2013<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Gracia Divina: El Humor como Estrategia Art\u00edstica<\/em>. Sala Gasco Arte Contempor\u00e1neo, Santiago de Chile, 2013<br \/>\n44 p\u00e1ginas, 500 ejemplares<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/13-08_Gracia-Divina.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 16-17<br \/>\n&gt;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1664\" target=\"_blank\" rel=\"noopener\"> Errores<\/a><\/span><\/p>\n<hr>\n<h6>2012<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5112 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-07_Deus-ex-media_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-07_Deus-ex-media_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-07_Deus-ex-media_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-07_Deus-ex-media_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Sim\u00f3n P\u00e9rez (Ed.): <em>Deus ex media. 10\u00ba Bienal de Video y Artes Mediales.<\/em> Santiago de Chile, 2012<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>10\u00aa Bienal de Video y Artes Mediales. Deus ex Media<\/em>.&nbsp;Museo de Arte Contempor\u00e1neo, Santiago de Chile, 2012<br \/>\nISBN 978-956-351-245-8, 236 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/12-07_Deus-ex-media.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 42-43<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 1<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5111 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-02_Fuera-de-Lugar_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-02_Fuera-de-Lugar_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-02_Fuera-de-Lugar_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/12-02_Fuera-de-Lugar_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Patricio M. Z\u00e1rate (Ed.): <em>Fuera de lugar.<\/em> Santiago de Chile (Museo nacional de Bellas Artes), 2012<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Fuera de Lugar.<\/em>&nbsp;Museo Nacional de Bellas Artes, Santiago de Chile, 2010-11<br \/>\nISBN 978-956-8890-11-7, 156 p\u00e1ginas, 1000 Ejemplares<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/12-02_Fuera-de-Lugar_peq.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 60-61<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1038\" target=\"_blank\" rel=\"noopener\">&lt;365&gt; Versi\u00f3n austera para espacio compartido<\/a><\/span><\/p>\n<hr>\n<h6>2011<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5109 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-00_Balcon_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-00_Balcon_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-00_Balcon_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-00_Balcon_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Leslie Fern\u00e1ndez &amp; Oscar Concha (Eds.): <em>M\u00f3vil: Balc\u00f3n<\/em>. Concepci\u00f3n, 2011<br \/>\nCat\u00e1logo del proyecto&nbsp;<em>Balc\u00f3n 2011.<\/em>Concepci\u00f3n, Chile<br \/>\n300 ejemplares numeradas, 64 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/11-00_Balcon.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. s\/n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1664\" target=\"_blank\" rel=\"noopener\">Los 8 errores<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5110 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-09_Peace-love-and-rockets_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-09_Peace-love-and-rockets_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-09_Peace-love-and-rockets_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/11-09_Peace-love-and-rockets_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Felipe Mujica (Ed.): <em>Peace, love and rockets.<\/em> New York, 2011<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Peace, Love and Rockets<\/em>. Center for Book Art, Nueva York, EE.UU., 2011<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/11-09_Peace-love-and-rockets.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. 30<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2010<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5108 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-11_SCL-2110_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-11_SCL-2110_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-11_SCL-2110_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-11_SCL-2110_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Rodrigo Tisi (Ed.): SCL 2110. Santiago de Chile (Uqbar), 2010<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>SCL 211o.<\/em>&nbsp;Museo de Arte Contempor\u00e1neo, Quinta Normal, Santiago de Chile, 2010<br \/>\nISBN 978-956-8601-79-9, 608 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/10-11_SCL-2110.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. 446-447<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=903\" target=\"_blank\" rel=\"noopener\">kilometr\u00f3polis<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5105 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_Revision-Tecnica_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_Revision-Tecnica_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_Revision-Tecnica_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_Revision-Tecnica_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Jorge Gonz\u00e1lez Lohse (Ed.): Revisi\u00f3n T\u00e9cnica. 100 pintores. Pintura en Chile 1980-2010. Santiago de Chile (Ocho Libros), 2010<br \/>\nISBN 978-956-335-023-4, 448 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/10-00_Revision-Tecnica.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. 370-373<br \/>\n&gt;&nbsp;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1666\" target=\"_blank\" rel=\"noopener\">Mermelada Edici\u00f3n Limitada<\/a><br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1664\" target=\"_blank\" rel=\"noopener\">Errores<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5107 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-09_Asedio-al-paisaje_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-09_Asedio-al-paisaje_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-09_Asedio-al-paisaje_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-09_Asedio-al-paisaje_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Ram\u00f3n Castillo (Ed.): <em>Asedio al paisaje.<\/em> Santiago de Chile (CCU), 2010<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Asedio al paisaje<\/em>. Sala de Arte CCU, Vitacura, Santiago de Chile, 2010<br \/>\n170 p\u00e1ginas, 1000 ejemplares<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/10-09_Asedio-al-paisaje.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a>, pp. s\/n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=941\" target=\"_blank\" rel=\"noopener\">Fluidaz-Liquideci\u00f3n<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5106 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_TLC_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_TLC_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_TLC_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/10-00_TLC_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>Tr\u00e1fico Latinoamericano Concepci\u00f3n. Proyecto TLC.<\/em> Concepci\u00f3n, 2010<br \/>\n256 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/10-00_TLCpeq.pdf\" target=\"_blank\" rel=\"noopener\">extracto Radio Ruido<\/a>, pp. 95-99<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2008<\/h6>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5211 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Inter-art-actuel-99_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Inter-art-actuel-99_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Inter-art-actuel-99_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/Inter-art-actuel-99_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>inter art actuel N\u00ba 99<\/em>. Qu\u00e9bec (\u00c9ditions Intervention), 2008.<br \/>\nISSN 0825-8708, 108 p\u00e1ginas<\/p>\n<p>extract Jean-Pierre Guay: \u00abRainer Krause. Croisi\u00e8re ou la position du sujet\u00bb, pp. 80-81<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5104 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/08-03_animita-11_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/08-03_animita-11_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/08-03_animita-11_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/08-03_animita-11_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>animita N\u00ba 11<\/em>. Concepci\u00f3n, 2008<br \/>\nRevista Edici\u00f3n de Artes Visuales, ISNN 0718-1426, 44 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"http:\/\/edicionanimita.blogspot.cl\/2009\/11\/animita-n-11.html\" target=\"_blank\" rel=\"noopener\">revista completa<br \/>\n<\/a>&gt;&nbsp;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1658\" target=\"_blank\" rel=\"noopener\">1 cm\u00b2 de Patria<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2007<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5103 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/07_12_reliquias-e-ruinas_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/07_12_reliquias-e-ruinas_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/07_12_reliquias-e-ruinas_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/07_12_reliquias-e-ruinas_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>Alfons Hug (Ed.): <em>Rel\u00edquias &amp; Ru\u00ednas. <\/em>Rio de Janeiro (Contra Capa), 2007<br \/>\nCat\u00e1logo de las exposiciones&nbsp;<em>Rel\u00edquias &amp; Ru\u00ednas<\/em>. oi Futuro, R\u00edo de Janeiro; CESC, Sao Paulo, Brasil, 2007-08<br \/>\nISBN 978-85-7740-023-2. 138 paginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"http:\/\/rkrause.cl\/web\/wp-content\/uploads\/2009\/03\/07_12_reliquias-e-ruinas.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause &amp; Luis Barrie<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 56-59, 123-125<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1881\" target=\"_blank\" rel=\"noopener\">Lengua local 1<\/a><\/span><\/p>\n<h6>&nbsp;<\/h6>\n<hr>\n<h6>2006<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5207 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/La-letra-y-el-cuerpo_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/La-letra-y-el-cuerpo_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/La-letra-y-el-cuerpo_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/La-letra-y-el-cuerpo_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Justo Pastor Mellado (Ed.): <em>La letra y el cuerpo. Env\u00edo chileno 5ta bienal de artes visuales del mercosur 2005<\/em>. Santiago de Chile (Centro Cultural Palacio La Moneda), 2006<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>La letra y el cuerpo<\/em>. Centro Cultural Palacio La Moneda, Santiago de Chile, 2006.<br \/>\nISBN 956-310-098-0, 102 p\u00e1ginas, 1500 ejemplares<\/p>\n<p>extracto Rainer Krause: <em>&#8230;actual\/\/<\/em>, pp. 70-71<\/p>\n<hr>\n<h6>2005<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5102 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/05-11_7\u00aa-Bienal-de-Video-y-Nuevos-Medios_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/05-11_7\u00aa-Bienal-de-Video-y-Nuevos-Medios_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/05-11_7\u00aa-Bienal-de-Video-y-Nuevos-Medios_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/05-11_7\u00aa-Bienal-de-Video-y-Nuevos-Medios_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Nestor Olhagaray (Ed.): <em>7\u00aa Bienal de Video y Nuevos Medios de Santiago<\/em>.<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>7\u00aa Bienal de Video y Nuevos Medios<\/em>. Museo de Arte Contempor\u00e1neo, Santiago de Chile, 2005<br \/>\n100 p\u00e1ginas<\/p>\n<p>&gt; <a href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/05-11_7\u00aa-Bienal-de-Video-y-Nuevos-Medios.pdf\" target=\"_blank\" rel=\"noopener\">extracto Radio Ruido<\/a>, p. 056<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=234\" target=\"_blank\" rel=\"noopener\">Paisaje Marginal con Sinf\u00f3nica<\/a><\/p>\n<hr>\n<h6>2002<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5101 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/02-12_anima_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/02-12_anima_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/02-12_anima_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/02-12_anima_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Reial Acad\u00e8mia de Bones Lletres (Eds.): <em>de anima.<\/em><br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>de anima<\/em>. Reial Academia de Bones Lletres de Barcelona, Espa\u00f1a \/ Catalunya, 2002-03<br \/>\nCaja con 72 tarjetas tornilladas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/02_12_anima.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>2000<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5098 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00_04_De_Marca_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00_04_De_Marca_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00_04_De_Marca_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00_04_De_Marca_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>V\u00edctor Hugo Bravo, Consuelo Lewin (Eds.): <em>Pintura De-Marca<\/em><br \/>\nCat\u00e1logo de la exposiciones&nbsp;<em>Pintura De-Marca<\/em>. Centro Cultural de Espa\u00f1a, Santiago de Chile, 2000<br \/>\n24 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"http:\/\/rkrause.cl\/web\/wp-content\/uploads\/2009\/03\/98_09_arteurbe.pdf\" rel=\"noopener\">texto Rainer Krause: \u00abObjetos de tela y madera\u00bb<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 14-15<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1646\" target=\"_blank\" rel=\"noopener\">Objetos de tela y madera<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5099 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-00_Abriendo-Mundos_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-00_Abriendo-Mundos_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-00_Abriendo-Mundos_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-00_Abriendo-Mundos_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Cecilia Palma (Ed.): <em>Abriendo Mundos &#8211; Pintores Chilenos en Nueva York<\/em><br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Abriendo Mundos<\/em>. Galer\u00eda Antesala, Santiago de Chile y Montserrat Gallery, Nueva York, EE.UU., 2000<br \/>\n20 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/00-00_Abriendo-Mundos.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">,<\/span><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">&nbsp;pp. s\/n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1662\" target=\"_blank\" rel=\"noopener\">Objetos de tela y madera<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5100 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-12_Autorretratos_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-12_Autorretratos_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-12_Autorretratos_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/00-12_Autorretratos_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Cecilia Palma (Ed.): <em>Autorretratos &#8211; 100 Artistas Chilenos<\/em>. Santiago de Chile (Palma-Valdes), 2000&nbsp;<br \/>\nCat\u00e1logo de las exposiciones&nbsp;<em>Autorretratos \u2013 100 Artistas Chilenos<\/em>. Galer\u00eda Palma-Vald\u00e9s, Santiago de Chile y&nbsp;Museo de Arte Contempor\u00e1neo, Valdivia, Chile, 2000-01<br \/>\n234 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/00-12_Autoretratos.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 124-125<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1656\" target=\"_blank\" rel=\"noopener\">Autorretratos<\/a><\/span><\/p>\n<hr>\n<h6>1999<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5130 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98_09_arteurbe_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98_09_arteurbe_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98_09_arteurbe_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98_09_arteurbe_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>Carlos Montes de Oca (Ed.): <em>arteurbe<\/em><br \/>\nCat\u00e1logo del ciclo de exposiciones <em>arteurbe<\/em>. Museo de Santiago &#8211; Casa Colorado, 1998-99<br \/>\n<em>Dos instalaciones y una maqueta<\/em>. Museo de Santiago \u2013 Casa Colorada, Santiago de Chile, 1998<br \/>\n64 p\u00e1ginas, 1000 ejemplares<\/p>\n<p>&gt; <a href=\"http:\/\/rkrause.cl\/web\/wp-content\/uploads\/2009\/03\/98_09_arteurbe.pdf\" target=\"_blank\" rel=\"noopener\">texto Rainer Krause: \u00bb 2 instalaciones y una maqueta\u00bb<\/a>, pp. 30-34<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1654\" target=\"_blank\" rel=\"noopener\">Paisajes marginales<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5132 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/99_01_Ala-Sur_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/99_01_Ala-Sur_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/99_01_Ala-Sur_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/99_01_Ala-Sur_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>Ricardo Loebbel (Ed.): <em>Ala Sur<\/em><br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>Ala Sur, II Bienal de Arte Joven<\/em>. Museo Nacional de Bellas Artes, Santiago de Chile, 1999<br \/>\n98 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"http:\/\/rkrause.cl\/web\/wp-content\/uploads\/2009\/03\/99_01_ala-sur.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">,<\/span><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">&nbsp;pp. s\/n<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1654\" target=\"_blank\" rel=\"noopener\">La historia del Museo<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1998<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5131 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98-00_Amigos-MNBA_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98-00_Amigos-MNBA_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98-00_Amigos-MNBA_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/98-00_Amigos-MNBA_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Corporaci\u00f3n de Amigos Museo Nacional de Bellas Artes (Eds.): <em>Memoria 1993-1998<\/em>. Santiago de Chile, s.a.<br \/>\n232 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/98-00_Amigos-MNBA.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 82-83<br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1654\" target=\"_blank\" rel=\"noopener\">Paisajes marginales<\/a><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1994<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5129 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/94-11_XI-Bienal-Valparaiso_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/94-11_XI-Bienal-Valparaiso_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/94-11_XI-Bienal-Valparaiso_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/94-11_XI-Bienal-Valparaiso_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>XI Bienal Internacional de Arte.<\/em> Valpara\u00edso (I. Municipalidad), 1994<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>XI Bienal Internacional de Arte de Valpara\u00edso<\/em>. Galer\u00eda Municipal, Valpara\u00edso, Chile, 1994-95<br \/>\n94 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/94-11_XI-Bienal-Valparaiso.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. s\/n<\/span><br \/>\n&gt;&nbsp;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1654\" target=\"_blank\" rel=\"noopener\">Paisajes marginales (paneles)<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1993<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5127 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-05_Premio-Gunther-1993_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-05_Premio-Gunther-1993_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-05_Premio-Gunther-1993_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-05_Premio-Gunther-1993_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Edgar Gunther (Ed.): <em>Biennial Premio Gunther 1993<\/em><br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>2do Concurso Bienal de Pintura \u2013 Premio Gunther<\/em>. Museo Nacional de Bellas Artes, Santiago de Chile, 1993<\/p>\n<p>&gt; <a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/93-05_Premio-Gunther-1993.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. 26<\/span><br \/>\n&gt;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1671\" target=\"_blank\" rel=\"noopener\">&nbsp;Serie Cuatro<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5128 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-07-Arte-Joven-1993_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-07-Arte-Joven-1993_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-07-Arte-Joven-1993_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/93-07-Arte-Joven-1993_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Edgardo Catal\u00e1n (ed.): XV Concurso Nacional Arte Joven. Valpara\u00edso (Universidad de Valpara\u00edso), 1993<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>XV Concurso Nacional de Arte Joven.<\/em>&nbsp;Sala El Farol, Universidad de Valpara\u00edso, Chile, 1993<br \/>\n24 p\u00e1ginas<\/p>\n<p>&gt; <a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/93-07-Arte-Joven-1993.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. 7<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1991<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5126 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/91-00_X-Bienal-Valparaiso_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/91-00_X-Bienal-Valparaiso_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/91-00_X-Bienal-Valparaiso_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/91-00_X-Bienal-Valparaiso_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>X Bienal Internacional de Arte<\/em>. Valpara\u00edso (I. Municipalidad), 1991<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>X Bienal Internacional de Valpara\u00edso<\/em>. Galer\u00eda Municipal, Valpara\u00edso, Chile, 1991<br \/>\n94 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/91-00_X-Bienal-Valparaiso.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. s\/n<\/span><br \/>\n&gt;&nbsp;<a href=\"https:\/\/rkrause.cl\/web\/?page_id=1654\" target=\"_blank\" rel=\"noopener\">Paisajes marginales (paneles)<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1987<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5125 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/87-06_Seht-welch-ein-Mensch_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/87-06_Seht-welch-ein-Mensch_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/87-06_Seht-welch-ein-Mensch_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/87-06_Seht-welch-ein-Mensch_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>E.M. Graunke (Ed.): <em>Seht, welch ein Mensch!<\/em> Stuttgart (Diakonisches Werk), 1987<br \/>\nCat\u00e1logo de la exposici\u00f3n itinerante&nbsp;<em>Seht, welch ein Mensch!<\/em>&nbsp;Exposici\u00f3n itinerante, Alemania, 1987-89<br \/>\n62 p\u00e1ginas<\/p>\n<p>&gt;&nbsp;<a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/86-00_Bremer-Foerderpreis-86.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, pp. 24-25<\/span><br \/>\n&gt; <a href=\"https:\/\/rkrause.cl\/web\/?page_id=1675\" target=\"_blank\" rel=\"noopener\">Pinturas tempranas<\/a><\/p>\n<hr>\n<h6>1986<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5124 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/86-00_Bremer-Foerderpreis-86_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/86-00_Bremer-Foerderpreis-86_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/86-00_Bremer-Foerderpreis-86_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/86-00_Bremer-Foerderpreis-86_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>Bremer F\u00f6rderpreis f\u00fcr Bildende Kunst &#8217;86.<\/em> Bremen (Senator f\u00fcr Bildung, Wissenschaft und Kunst), 1986<br \/>\nCat\u00e1logo de la exposici\u00f3n Bremer F\u00f6rderpreis f\u00fcr Bildende Kunst, Weserburg, Bremen, Alemania, 1986<br \/>\n96 p\u00e1ginas<\/p>\n<p>&gt; <a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/86-00_Bremer-Foerderpreis-86.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. s\/n<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h6>1982<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5123 alignleft\" src=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/82-05_Bremer-Kunstausstellung-2_mini.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/82-05_Bremer-Kunstausstellung-2_mini.jpg 150w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/82-05_Bremer-Kunstausstellung-2_mini-50x50.jpg 50w, https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/08\/82-05_Bremer-Kunstausstellung-2_mini-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><em>2. Bremer Kunstausstellung.<\/em> Bremen, 1982<br \/>\nCat\u00e1logo de la exposici\u00f3n&nbsp;<em>2. Bremen Kunstausstellung \u2013 Arbeiten auf Papier.&nbsp;<\/em>Museum Weserburg, Bremen, Alemania, 1982<br \/>\n104 p\u00e1ginas<\/p>\n<p>&gt; <a style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/rkrause.cl\/web\/wp-content\/uploads\/2018\/03\/82-05_Bremer-Kunstausstellung-2.pdf\" target=\"_blank\" rel=\"noopener\">extracto Rainer Krause<\/a><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, p. s\/n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logos antol\u00f3gicos (en construcci\u00f3n) 2017 Leandro Pisano &amp; Antonio Ar\u00e9valo (Eds.): Otros sonidos otros paisajes. Roma (Ambasciata del Cile in Italia, Interferenze new arts festival), 2017 56 p\u00e1ginas Cat\u00e1logo de la exposici\u00f3n&nbsp;Otros sonidos otros paisajes \u2013 Interferenze New Arts Festival.&nbsp;MACRO \u2013 Museo d\u2019Arte Contemporanea Roma, Italia. extracto Rainer Krause: lenguas locales, pp. 48-51 &nbsp; Fernando [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1211,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1692","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/pages\/1692"}],"collection":[{"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1692"}],"version-history":[{"count":134,"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/pages\/1692\/revisions"}],"predecessor-version":[{"id":5472,"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/pages\/1692\/revisions\/5472"}],"up":[{"embeddable":true,"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=\/wp\/v2\/pages\/1211"}],"wp:attachment":[{"href":"https:\/\/rkrause.cl\/web\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}